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Where is today’s dangerous art? I live in a nation where police drones, abstract wars, intrusive corporations, and Christian hate are increasingly common features. The emerging Occupy Movement is the only modern extension of Tzara’s disgust, the only glimmer of sanity in a society that is losing dignity by the day — yet where is the new writing, the new art and music? If asking such a question immediately reveals that I’m out of touch, that’s fine. I simply want to know. I want someone to take my hand and walk me over to the bleeding edge.
Perhaps technology is the new avant-garde. The internet oftentimes feels like a collective exercise in automatic writing that plumbs the psyche of our culture. Screens are the new mechanism to forge new alliances and shock the normals, yet we’re more concerned with building new channels, new applications and widgets rather than filling these things with emotional content that might trigger a response. In 1917, the Russian Constructivists fetishized technology, dreaming of the day when we would have “a universal trampoline that will enable a great leap into human culture.” We have it now.
What was the last piece of art to scandalize an audience? The last book to cause an uproar? Looking in the rearview at art movements from one hundred years ago offers a skewed image, yet I believe that Tristan Tzara and André Breton are the ideal spiritual guides for this age of violence, speed, complacency, and sudden modernity. We need more mischief and outrage in our words and pictures.
"Reblogged from varanine
James A. Reeves, More Than Mere Art (via varanine)